During the Jugurthine War (112–105 BCE), allegations of bribery and delay tarnished senatorial rule. Sallust put Jugurtha’s sneer into Rome’s mouth: “a city for sale and doomed to speedy destruction.” The Curia’s murmurs reached the Subura’s alleys—and the charge stuck.
What Happened
When war in Numidia should have been brisk, it dragged. Jugurtha, a canny king, turned Roman ambition against itself by bribing commanders and buying pauses. The senate’s aura of competence dimmed under the North African sun and in the smoky basilicas of Rome where contracts and rumors mixed [4][11][16].
Sallust, writing later, sharpened memory into aphorism: Jugurtha, leaving the city after negotiating, “is said to have often looked back at Rome and said that it was a city for sale and doomed to speedy destruction if it found a purchaser” [4]. The line rang in the Curia Hostilia, the Basilica Sempronia, and the Forum’s open expanse.
The charges mattered because money touched every Roman system. Equestrians who farmed taxes in Asia and Spain heard the insult as both slander and truth. Citizens queuing for grain near the Tiber wondered if cheap loaves cost them dear in other coin. The sound of whispered deals in the shadows of the Basilica Aemilia felt louder than the roar of contiones [4][11].
Marius used the disgust as fuel. He promised not only victory but a cleaning of stables—fewer bribes, more battles. When he stood on the Campus Martius, with bronze standards reflecting afternoon light, he wrapped Jugurtha’s story into his own: elect me, and the city for sale will reject its buyer. The assemblies believed him, and the senate’s reputation paid in coin it could not afford [11][16][17].
Why This Matters
The Jugurthine episode linked foreign policy failure to domestic moral failure in Roman minds. It gave later popularis leaders a ready script: point to a war, cite corruption, and argue for extraordinary commands and reforms through the assemblies. Sallust’s line, placed in Jugurtha’s mouth, made that argument portable across decades [4][11][16].
It also reinforced the value of shifting juries—a point Gaius Gracchus had made concrete. If senators could not be trusted to police governors, then equestrians should sit in judgment. The courts became a theater where the republic judged not only a man but a class [5][11][16].
As a cultural artifact, the “city for sale” sneer became a chorus in the late Republic’s tragedy. It recurs as Rome debated Catiline, Sulla’s enrichment of his followers, and Caesar’s gifts to his veterans. Each time, the memory of Numidia made the charge sting more sharply than any single scandal might [4][7][9].
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